Their step-nephew Thomas Burstyn, director of a very different family portrait in This Way of Life, filmed them on several visits over a number of years. He interweaves Yolanda and Joseph’s past and present with qualms about his own current family responsibilities. And thanks to Joseph’s point-blank denunciations of the ethical laxness of both the portrait artists lurking under his roof, he is prompted to own up to his responsibilities as a filmmaker too.

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